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The whole team wasn’t there on the front side when they were making decisions about the show in its heyday. “I think it’s a little unfair to throw the whole team under the bus. There were sometimes several objections by other producers and myself about layers that were added to creative, and we were just told to execute,” Manuel says. “Many times when you’re working in an environment like that, you have to listen to your executive producers, and ultimately the two voices at the top were Ken and Tyra.
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He recalls times when he felt uncomfortable with creative decisions, such as the race-changing photoshoot in Cycle 4 where contestants painted their skin darker colors for a challenge on which Manuel was the creative director. Manuel disputes Mok’s stance, telling Variety that while the team was able to voice creative concerns, all final decisions were made by Banks and Mok.
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Just a FYI – the entire creative team made the choices on those shows – not just Tyra.” The show’s co-creator, Ken Mok, backed up Banks’ tweet and apologized to viewers, tweeting this week, “I look at some of those moments and cringe. “Appreciate your honest feedback and am sending so much love and virtual hugs.” “Looking back, those were some really off choices,” Banks tweeted. In another ill-received scene, Banks tells a lesbian model in Cycle 5 that she shouldn’t flaunt her sexuality. “I’m black and proud, but I’m not, like, walking down the red carpet ‘I’m black, I’m black,'” Banks advised.īanks did not respond to Variety’s request for comment, in response to Manuel’s interview, and neither did the CW or CBS Television Studios, which produces “America’s Next Top Model.” (The show originally aired on the now-defunct UPN network and spent most of its life at the CW, before heading to VH1 in 2016.)Įarlier this week, Banks tweeted that she agrees with criticism regarding the show’s insensitivity. In the season that aired in 2006, Banks tells an African-American contestant that she needs do her job, despite the young woman sharing that a male model she was asked to kiss during a photoshoot said he didn’t like black girls. “Do you really think you can have a CoverGirl contract with a gap in your mouth?” Banks asked in the episode. One moment that has been the source of widespread backlash online features Banks reprimanding a Cycle 6 contestant for choosing not to close the gap in between her teeth. We got to experience being part of a global phenomenon.” Our time together on ‘ ANTM’ was amazingly productive and, at times, magical. “To be very honest, we really have no relationship to speak of, which is really sad. “Over the past few years, we’ve emailed,” Manuel says about Banks, recalling that the last time he saw her was a run-in at Beaut圜on in 2017. The first-time author did not consult Banks or any former colleagues from “America’s Next Top Model” about the book, nor does he have much of a relationship with Banks, who has faced severe criticism on social media in recent weeks for resurfaced clips that have been scrutinized under the zero-tolerance lens of 2020. The book also dedicates a few pages to botched makeover scenes, which Manuel suggests, “Might be more for ratings, as opposed to truly benefitting that model.” Inside the book, an entire chapter, aptly titled “The Meltdown,” features the fictional host going berserk on a contestant, which Manuel confirms was inspired by the infamous, “we were rooting for you!” scene. For starters, the font on the book cover mirrors the logo of the real show. While the book is not an exact replica of “Top Model,” there are stark parallels. “All of the characters in the book took on a life of their own and were just inspired by people in my life, but we write what we know and, as they say, art imitates life - and is often larger than life.” “I wanted this book to entertain and that’s why I used satire, and had a lot of fun with it,” Manuel says. Described as a cautionary tale about the seduction of fame, the novel centers around a fictional reality show, “Model Muse,” hosted by supermodel Keisha Kash, and the story is told through the eyes of the protagonist, Pablo Michaels, a young man who sets out to discover himself in the world of fashion in New York City. Manuel’s book is inspired by his own career path and time on “America’s Next Top Model,” and takes a satirical look at the behind-the-scenes culture at a modeling competition show. My novel has been in the works for quite some time, so this really is a surprise to me,” Manuel says about the heightened interest in “Top Model” throughout the coronavirus pandemic.